Reblogging not just because special effects are cool but because body doubles, stunt doubles, acting doubles, talent doubles — all the people whose faces we’re not supposed to see but whose bodies make movies and tv shows possible — these people need and deserve more recognition. We see their bodies onscreen, delight in the shape and motion of those bodies, but even as we pick apart everything else that goes on both on and behind the screen, I just don’t see the people who are those bodies getting the love and recognition they deserve.
We’re coming to love and recognize actors who work in full-body makeup/costumes, such as Andy Serkis, or actors whose entire performances, or large chunks thereof, are motion captured or digitized (lately sometimes also Andy Serkis!). But people like Leander Deeny play an enormous part in making characters such as Steve Rogers come to life, too. Body language is a huge part of a performance and of characterization. For characters/series with a lot of action, a stunt person can have a huge influence on how we read and interpret a character, such as the influence Heidi Moneymaker has had on the style and choreography of Black Widow’s signature fighting style. Talent doubles breathe believability and discipline-specific nuance into demanding storylines.
Actors are creative people themselves, and incredibly important in building the characters we see onscreen. But if we agree that they’re more than dancing monkeys who just do whatever the directors/writers say, then we have to agree that doubles are more than that, too. Doubles make creative decisions too, and often form strong, mutually supportive relationship with actors.
Image 1: “I would like to thank Kathryn Alexandre, the most generous actor I’ve ever worked opposite.”
Image 2: “Kathryn who’s playing my double who’s incredible.”
I’ve got a relationship that goes back many, many years with Dave. And I would hate for people to just see that image of me and Dave and go, “oh, there’s Dan Radcliffe with a person in a wheelchair.” Because I would never even for a moment want them to assume that Dave was anything except for an incredibly important person in my life.
With modern tv- and film-making techniques, many characters are composite creations. The characters we see onscreen or onstage have always been team efforts, with writers, directors, makeup artists, costume designers, special effects artists, production designers, and many other people all contributing to how a character is ultimately realized in front of us. Many different techniques go into something like the creation of Skinny Steve — he’s no more all Leander Deeny than he is all Chris Evans.
But as fandom dissects the anatomy of scenes in ever-increasing detail to get at microexpressions and the minutiae of body language, let’s recognize the anatomy in the scenes, too. I don’t mean to take away from the work Chris Evans or any other actors do (he is an amazing Steve Rogers and I love him tons), but fandom needs to do better in recognizing the bodies, the other people, who make up the characters we love and some of our very favourite shots of them. Chris Evans has an amazing body, but so does Leander Deeny — that body is beautiful; that body mimicked Chris Evans’s motions with amazing, skilled precision; that body moved Steve Rogers with emotion and grace and character.
Fandom should do better than productions and creators who fail to be transparent about the doubles in their productions. On the screen, suspension of disbelief is key and the goal is to make all the effort that went into the production vanish and leave only the product itself behind. But when the film is over and the episode ends, let’s remember everyone who helped make that happen.
[ Sam Hargrave (stunt double for Chris Evans) and James Young (stunt double for Sebastian Stan, and fight choreographer), seen from behind, exchange a fistbump while in costume on the set of Captain America: The Winter Soldier. Image via lifeofkj ]
I applaud these guys as much as the suit actors in my japanese tokusatsu shows. They do just as much work.
Hat’s off to them, and my thanks for all they do.
Dragons are henceforth a feminist icon. You’re no longer allowed to participate in the appreciation of dragons and dragons in culture unless you’re totally down for helping the equality movement.
Anti-feminist blogs are mad about this post so everyone should reblog it.
I saved this image off Tumblr awhile ago and I never thought I’d find another use for it
This is so hard because you know this isn’t the first time they’ve had this conversation. They probably have it every time he visits her. He squares his shoulders before he goes in there, and hopes for the best, relatively speaking. You can see it in his face in that second gif - the way he literally crumples when he sees that he’s lost her again.
I’m shocked that I haven’t seen more people mention this scene, because this scene KILLED me. This is the only scene I cried in. I found a lot of Bucky’s scenes disturbing and I hurt for him, but this is the most heartbreaking scene for me. Because Steve remembers Peggy just like she was in the first movie. It was like a split second ago for him that Peggy was that amazing, intelligent, vivacious woman who inspired him to do amazing things. Sure Steve is shocked and rattled when he sees Bucky again, but Bucky still looks like BUCKY. Bucky was in the same time warp Steve was in and they both still look like they remember each other. But Peggy is the visual proof for Steve that everything has changed for him. She’s had a life. An entire life without him. She even points out that she grieves that HE hasn’t lived like she did. Peggy is the evidence of what Steve lost. He can sink himself in SHIELD and he can fight the good fight and try to forget that he’s not completely displaced in the world, but visiting with Peggy is both necessary for Steve because she’s the only one who remembers and also brutally painful because she’s proof that Steve is a man out of time and place. And the extra punch to the gut that she has dementia and her reaction to him is that of finding him and being heartbroken for their loss of each other. And that this obviously isn’t the first time she’s had this reaction. Steve has to know that he probably doesn’t have all that long with her either in the grand scheme of things. They find each other and lose each other and find each other over and over in this horrible, painful cycle. And soon he’s going to be utterly, completely alone. Sure he can befriend Sam and Natasha and forge new relationships, but there’s always going to be that little bit of disconnect.
And gawd does Chris Evans break your heart with his reaction. You can physically see his heart ripping apart all over his face and then him pull it together to comfort Peggy. There’s that quote floating around about the difference between “manpain” and legitimate horrible emotional pain that a character is going through. This is it. This is the moment you see it. Steve might try to hide it as much as possible and tries to be the shining beacon, but he is a man in LEGITIMATE pain. He has every right to want to curl in a ball and never come out.